A
Wacom tablet is highly useful for achieving the look, although if you
don't have one then careful mouse-work and a lot of patience will do.
While we'll create almost every element in the tutorial from scratch
onscreen, we'll use a simple watercolour image to create a texture of
our own, adding a grungy feel to the design - and we'll also cheat
slightly by adding some stock birds.
Creating your own
elements can be very useful when illustrating - not only does it reduce your need for
external resources, but it also contributes to an original outcome that
represents you, the designer.
01. To begin, open Illustrator and create a
new web document. Type in the letters individually, using a light grey
as foreground colour (colour reference #b9b9b9). Go to Effect > 3D
> Extrude and Bevel. Use a 35 perspective and a Complex 2 Bevel.
Depending on your font size, you should alter the Extrude Depth and
Bevel Height values, so that the letters don't show any distortion.
02. In Photoshop, create a new A3 document
at 300dpi. Paste in the letters as a Smart Object and add a Gradient
Map Adjustment Layer with these colours: #a3bd41 and #124938. Add a
Curves Adjustment Layer and darken it slightly.
03. Now we'll add some trees. I recommend using a graphics tablet
for this task, as pressure sensitivity is highly useful here. Use
strokes that alternate between soft and hard pressure, so that the lines
fade in and out in thickness. Use the same colors found in the Gradient
Map used earlier to create a background and foreground color for the
trees.
04. Add foliage on the trees in the same
way, but with a considerably larger brush. After creating the main body
of the leaves, add subtle accents with a small brush, identical in size to
the trunk's lines.
05. On a
separate layer, draw more accents, but with different colours. Use a
slightly darker green for the shadows, and a light cyan for reflected
light. Bear in mind where your light source should be at all times,
using the shading on the letters, and make sure that all the highlights
coincide.
06. Use a tablet
if you can for the clouds, as pen pressure is important here. Select a
soft, round brush at low opacity (somewhere between 10 and 20 per cent)
and press hard to gradually create the main body of the clouds, on a
layer behind the letters.
07. Because
you're using a low opacity, the more often you touch the tablet (or
click the mouse), the more solid the colour will become, so use
increasingly less pressure to eventually define the edge of the cloud on
only one side - the top. Use reference images or real clouds to make
sure your cloud remains as realistic as possible.
08. Now download Bittbox's free splatter brush set from this URL:
www.tinyurl.com/2a6yvq.
Use a couple of the brushes to add some colour intensity to the highest
points of the clouds. Keep the splatter's colour identical to the tip
of the clouds. Erase unneeded portions and make sure they keep the same
orientation as the other elements.
09. Using the same technique, apply some more splatters to the
letter's faces. I suggest using one on the first, third and fifth
letter, so that the area doesn't become cluttered. Also, add two soft
shades of green with a large, soft brush behind the clouds. We're doing
this to chromatically balance the composition.
10. Now it's time to add a texture. However, rather than adding a
photo with a blending mode, we'll apply only certain parts of a given
texture. Download the watercolour texture image available for free from
stock.xchng from this URL: www.tinyurl.com/65neat. Bump up its contrast by a
hefty amount using a levels adjustment layer.
11. Go to Select > Color Range > Midtones. Since the
texture has a very high contrast, you should be selecting only small
portions of the image. Create a new layer and fill the selection with
green (36592e). Set the layer's opacity to 30% and hide the image's
layer.
12. Repeat the same process to
create another texture layer with a different colour (#669996), but
rotate the image this time, and play around with the contrast to make
the lines thinner. Leave this layer's opacity at 100% after filling the
selection in another layer.
13. As a final
touch, add some bird shapes from Bittmap's freely downloadable pack, www.tinyurl.com/5dczvs,
to the landscape. Add four similar ones, and position them horizontally
as to make them look as though they're flying around the trees. Use
them as an opportunity to add variation to the design with a bold orange
colour, and add a few highlights to their wings.
14. Now use a soft brush with the pressure sensitivity enabled to
draw streams that suggest the birds' motion. Also, make a selection of
the letters' faces and fill them with similar shades of green. I gave
the 'r' and first 'e' a more intense colour, and added an orange
reflection through a clipping mask.
15. Add some contrast to the image by adding a Curves and
Hue/Saturation Adjustment Layer. Because the curves will also intensify
the colour, drag the Saturation bar to -7 and change the Hue to -5.
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